After the debacle of Toile #1 one thing was clear. I have no idea of the specifics I’m trying to reproduce. I have a 15-yard bolt of unbleached muslin, so I can cut pieces to my heart’s content. But I’d rather not see Toile #28, if you know what I mean.
Since the best defense against ignorance is education, I headed for my sewing library to find some answers. I have two areas that are hindering my progress: constructions details and fitting.
For details and seam placement I pulled:
- Costume in Detail, 1730-1930 by Nancy Bradfield
- Patterns of Fashion, c. 1660-1860 by Janet Arnold, which had just arrived in the mail. *happy dance*
For instruction on fitting and alterations I went to:
- The Complete Photo Guide to Perfect Fitting by Sarah Veblen
- Fitting for Every Figure by the Editors of Threads Magazine
- Pattern Fitting with Confidence by Nancy Zieman.
I read through the relevant parts of each a couple of times and studied the variation between my toile and the illustrations, details and dimensions of historical garments.
There were some construction and style differences, which made me wonder if using a pattern designed from what looks like a laborer’s work dress (the original of which was well-worn, poorly patched and roughly mended) factored into it.
Underbust pleats have never worked for me, but I’d decided to make the pattern as given anyway. I did manage to sew one set backwards (facing toward the center front instead of toward the center back), but no matter – I just don’t like the way they look. So I’ll be changing the pleats to gathers, as well as raising the neckline a bit.
I may have to fiddle with the back shoulder and back side seams, but I’m making the easy changes first before I dive in way over my head.
Good thing I can swim…even though at times it looks a lot like flailing about.