Your Weekend Wow!

I can’t imagine wearing these, but they are simply wonderful – in every sense of the word.

Woman’s bobbin lace glove. Milan, Italy, about 1650–1700. Linen bobbin lace. Double ruffle along top and half one side of glove. Remains of faded stiff pink ribbon bows (trimming). Dimensions: 39 x 20 cm (15 3/8 x 7 7/8 in.). Museum of Fine Arts,  Boston.

SC10117

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And another fine example of linen bobbin lace gloves, also Italian.

Bobbin lace gloves, Italian (Milan), 18th C.

Bobbin lace gloves, Italian (Milan), 18th C. (Source unknown.)

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More Victorian Summer Dresses!

This one is for Deb and everyone else who loves an Early Bustle Era summer dress. I’ve been meaning to post this all week, but things got a little crazy. Better late than never!

Summer dress ca. 1869 From 'Impressionism and Fashion' at the Musee d’Orsay.

Summer dress ca. 1869 From “Impressionism and Fashion” at the Musée d’Orsay.

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Summer dress, 1872-74 From the Musée du Costume et de la Dentelle via BrusselsLife.

Summer dress, 1872-74 From the Musée du Costume et de la Dentelle via BrusselsLife.

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Summer dress, French, ca. 1872. White cotton batiste in small floral print, silk ribbon. Photo Stephan Klonk. Art Library, National Museums of Berlin, via Europeana Fashion. (Very similar to the first dress, but different.)

Summer dress, French, ca. 1872. White cotton batiste in small floral print, silk ribbon. Photo Stephan Klonk. Art Library, National Museums of Berlin, via Europeana Fashion. (Very similar to the first dress, but different.)

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A blue and white striped gauze summer gown, circa 1870, the bodice with square neckline, flounced sleeves, peplum trimmed with blue satin, blue ribbon belt with later added bow.

A blue and white striped gauze summer gown, circa 1870, the bodice with square neckline, flounced sleeves, peplum trimmed with blue satin, blue ribbon belt with later added bow.

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Dress, 1872. Light blue cotton, broderie anglaise, grosgrain ribbon in light gray silk. (Too bad they didn't display it with a proper bustle.)

Dress, 1872. Light blue cotton, broderie anglaise, grosgrain ribbon in light gray silk. (Too bad they didn’t display it with a proper bustle.)

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 Organdy American, 1870s. (Apologies for the it blurry photo, it was the only one I found.)

Organdy American, 1870s. (Apologies for the it blurry photo, it was the only one I found.)

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Day dress ca. 1869. From the Galleria del Costume di Palazzo Pitti via Europeana Fashion.

Day dress ca. 1869. From the Galleria del Costume di Palazzo Pitti via Europeana Fashion.

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Summer tea gown. (No other information or source material available.)

Summer tea gown. (No other information or source material available.)

Your Weekend Wow!

I’ve been out of commission for a couple of weeks and haven’t been able to do much of anything, including staying on top on my dear blog. Happily, things are getting back to normal and I’ll be able to catch up soon.

Meanwhile, it’s summer and up here in the Northern Hemisphere it is hot, hot, hot. So this delicate, sheer dress caught my eye as a perfect antidote to layer upon layer of silk and cotton. It’s just so very…summery!

Dress, French, ca. 1872. Cotton and porcelain (I assume they are referring to the buttons). Photos and information from The Met, metmuseum.org.

Here are the Met’s description and comments:

The 1870s was a period of marked romanticism and whimsy in fashionable dress. Much like the picturesque paintings of Renoir that depict such confectionary creations, both day and evening gowns were highly ornamented and often executed in delicate, feminine textiles. Though eveningwear was marked by décolleté necklines and lavish silk satins and taffetas, day dresses were made more modest with austere fabrics like cotton or wool. While many women owned walking and traveling dresses which afforded slightly greater moveability, also quite common was the summer day dress that was to be worn to an afternoon tea or reception.

This garment, emblematic of warm weather day dresses of the period with its sheer printed cotton and delicate lace trim, is a particularly pristine example, and notable for its clear revival of eighteenth–century aesthetic sensibilites. The late nineteenth century, abetted by the luxury and progress of the Industrial Age, recalled distinctly, both in its textiles and in the etiquette that surrounded fashionable dress, the notorious material excesses of the third quarter of the eighteenth century. The wealthy classes of the late–nineteenth–century showed a particular respect for the formalities of fashion. While their garments were not nearly as ornamental and their entertaining circles not as elitist, the decorative effects of late nineteenth century afternoon reception dresses such as this one unarguably echoed the lavishness of the eighteenth–century gown, most notably here in the sleeve and neckline.

Your Weekend Wow!

OK, enough with the embroidery fetish already. This weekend’s dress is one you’ve probably seen before, but I simply adore it and have from the first time I saw it. I love the changeable silk and every single meticulous detail. It is in my heart and always will be.

This 1840’s green changeable silk dress was acquired from the Tasha Tudor Historic Costume Collection and was later offered at auction by Augusta Auctions, where it fetched $18,400.00 USD. I may not be able to “play” at that level, but I can surely lust after it from afar.

Here is the auction catalog description. All photos courtesy of Augusta Auctions, Inc.

Ribbed silk taffeta woven with light green and gold in opposing directions, collarless deep V neckline, long fitted sleeves, ruffled caps laced with tassled cords, sleeves lace with cord above wrists, fitted bodice ending in shallow center front point, pleated, ruffled and cord trimmed fabric radiates from center bodice point to shoulders, full gathered skirt trimmed with two vertical rows of self fabric bows down center front, piped seams, full glazed linen lining, (minor spots) excellent.

the green dress 1

the green dress 2

the green dress 3

the green dress 4

the green dress 5

the green dress 6